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- <text id=94TT1502>
- <title>
- Oct. 31, 1994: Books:In the Frazier Museum
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Oct. 31, 1994 New Hope for Public Schools
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/BOOKS, Page 84
- In the Frazier Museum
- </hdr>
- <body>
- <p> After his parents' death, a New Yorker humorist finds meaning
- by studying the intricate branchings of his family tree
- </p>
- <p>By Paul Gray
- </p>
- <p> Ian Frazier's first book, Dating Your Mom (1986), collected
- a decade's worth of his hilarious short humor pieces, most of
- which first appeared in the New Yorker. Then came Nobody Better,
- Better Than Nobody (1987), which contained five pieces of New
- Yorker nonfiction. These displayed Frazier's tenacious reporting
- skills and whimsical self-consciousness: "I had not been in
- Texas long before I started having millions of insights about
- the difference between Texas and the rest of America. I was
- going to write these insights down, but then I thought--Nahhh."
- </p>
- <p> In Great Plains (1989), though, Frazier wrote his insights down
- and produced an elegaic history of the vast, flat American heartland.
- He turns more serious still in Family (Farrar Straus & Giroux;
- 386 pages; $23), in which the subject is nothing less than a
- search for the meaning of life, for "a meaning that would defeat
- death." And he is not kidding.
- </p>
- <p> His quest, he writes, began after the death of his father in
- 1987 and his mother a year later. While going over his parents'
- effects and papers he discovered, among the many things they
- had saved, family letters dating as far back as 1855. Eventually
- he put nearly everything into two boxes--the dad museum and
- the mom museum--and hauled them back to his Brooklyn apartment.
- These papers led him to take trips across the country to look
- at old houses and churches and to interview relatives. The process
- took years--Frazier does not say it obsessed him, but his
- descriptions of his pursuit have that feel about them--and
- Family is the result.
- </p>
- <p> As a rule, people have a minimal interest in family trees from
- which they themselves do not sprout. So Frazier may encounter
- some initial reader resistance, particularly since he was able
- to track his ancestors back to the 1600s on his father's side
- and the 1700s on his mother's. There are an awful lot of names
- to keep up with in the early stages of his story, and their
- relationships to the author ("Comfort Hoyt, my five-greats-grandfather
- on my father's side") can dizzy the genealogically challenged.
- </p>
- <p> But patience will be rewarded. Frazier picks up momentum when
- he hits the 19th century. By that time his forebears were living
- in Ohio. Several of them joined the 55th Ohio Volunteer Infantry
- to fight Confederates in the Civil War. They saw action in two
- notable Union defeats, the battles of Second Bull Run and Chancellorsville,
- and survived. Some of the best passages in Family occur when
- Frazier follows, in a rented car, the marches undertaken by
- the 55th and tries to take himself back in time. Usually he
- succeeds, and when he fails he still shows his familiar flair
- for comic relief: "I figured that my suitcase, briefcase and
- golf clubs probably weighed about the same as the full kit and
- rifle carried by a private in the 55th. I considered parking
- the car and trying some of this march myself, fully loaded,
- just to get an idea what it was like. Then I decided not to."
- </p>
- <p> "Most of my ancestors were Protestants," Frazier writes. "Compared
- to them, I suppose I am an infidel." In telling their story,
- he realizes, he is tracing a particularly American trajectory.
- The people before him were secure in their faith and in their
- right to shape and lead a new nation. Then a lot of things happened--all meticulously noted in this narrative--beginning with
- pioneer hardships, moving through wars and economic booms and
- busts, and winding up in the pleasant suburban comforts of Frazier's
- own Ohio childhood. "I think my parents' generation had little
- conscious idea what it believed," Frazier writes, and as a result
- the next cohort, his, "sort of pitched and yawed all over the
- place, spiritually."
- </p>
- <p> Out of context, this remark sounds critical of his parents,
- but that is not what Frazier means at all. It is rare in contemporary
- writing to come across the pure love he expresses for the people
- who raised him: his chemist father, who worked 37 dutiful years
- for the same Ohio oil company; his schoolteacher mother, who
- dreamed when young of becoming an actress and who still appeared
- in amateur theatricals when Frazier was a boy. He once saw her
- do Lady Macbeth: "I remember especially her lines about snatching
- the smiling infant from her breast and bashing its brains out."
- The only thing his parents did wrong, Frazier suggests, was
- to fail to prepare him for the loss of them.
- </p>
- <p> Frazier's long immersion in his family's past convinces him
- that "every person should spend a certain amount of time thinking
- about what he or she believes. Because what you really believe
- in coincides with meaning in a larger sense, with meaning that
- connects to other people alive and dead and yet to be born."
- At the end Frazier remembers sitting in his mother's bedroom
- overnight as her death approached. Suddenly he switches to future
- tense, foreseeing not only what will happen to her but also
- to him and to his children and to all the generations to come:
- "Our graves would go untended, and the graves of those who had
- tended ours would go untended..." And what will remain? "The
- love bravely expressed, and the moment when you danced and your
- heart danced with you." Frazier's vision is an epiphany as moving
- as it is bleak and hard won.
- </p>
- </body>
- </article>
- </text>
-
-